"I can assure you that there is no career which you will adopt when you leave college that will bring you a more and greater sense of satisfaction and a greater feeling of participation in a great effort than will your work here or in your state or in your community...this generation of Americans - you here who will be in positions of responsibility for the rest of this century - will deal with the most difficult, sensitive, and dangerous problems that any society of people has ever dealt with at any age...The Greeks defined happiness as the full use of your powers along the lines of excellence, and I can imagine no place where you can use your powers more fully along lines more excellent in the 1960's than to be in the service of the United States." --"Remarks to Student Participants in the White House Seminar in Government (334)," August 27, 1963, Public Papers of the Presidents: John F. Kennedy, 1963.
I've distanced myself from many of my middle school interests, but this song still holds up. Bon Iver is a master at depicting what it's like to fully surrender yourself to someone while aware that they may hurt you in the end. I still sing this song while I lounge around my studio apartment, drawing on real-life experiences this time, though I assure you that none of them involved blood-filled sinks or crushed veneers.
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Rationale: I remember listening to this song in middle school, wishing that the boy I had a crush on would love me enough to stand outside my window in the rain. In retrospect, that would have been awkward and inconvenient to explain to my mother, and these days I would probably find such behavior creepy (when I'm in my pajamas in my apartment, peacefully eating Takis and watching reruns of The Sopranos, the last thing I need is a man standing outside, watching me from the street like something out of The Exorcist), but the sentiment of this song still stands.
The substantial part of 2 Enoch’s narrative isdedicated to Enoch”s ascent into the celestial realm and tohis heavenly metamorphosis near the Throne of Glory. In theselengthy and elaborated descriptions of Enoch’stransformation into a celestial being, on a level with thearchangels, one may find the origin of another image of Enochwhich was developed later in Merkabah mysticism, that is, theimage of the angel Metatron, The Price of Presence. Odeberg may well be the first scholar to have discovered thecharacteristics of “the Prince of the Presence” in thelong recension of 2 Enoch. He successfully demonstrated inhis synopsis of parallel passages from 2 and 3 Enoch,that the phrase “stand before my face forever”[7] does not serve merelyas normal Hebraism “to be in the presence,” butestablishes the angelic status of Enoch as Metatron, the Princeof the Presence, Mynph r#.[8] The title itself is developed mainly in chs. 21-22,[9] which are dedicated to thedescription of the Throne of Glory. In these chapters, one findsmany promises that Enoch will “stand in front of the face ofthe Lord forever.”[10]In terms of the theological background of the problem, the titleseems connected with the image of Metatron in the Merkabahtradition,[11] whichwas “crystallized in the classical Hekhalot literature.”[12] According to thelegend of the Hekhalot tradition, Enoch “was raised to therank of first of the angels and Mynph r#(literally, “prince of the divine face,” or“divine presence”).”[13]3 Enoch, as well as other texts of the tradition, have awell-developed theology connected with this title.
This substantial passage graphically depicts the interrelation ofthe future roles of Enoch (Metatron) in the narrative of 2Enoch. In spite of the fact that the text does not elaboratethe real embodiments of these roles and titles, but only promisesand initiations in these roles, it leaves the impression that 2Enoch is part of larger tradition and that its author hasprior knowledge of the future development of these titles and thedeeds behind them. It is intriguing that the narrative of 2 Enoch does notshow the promised powerful deeds of Enoch-Metatron in differentoffices of the heavenly realm, for example, those of the Knower,The Scribe, The Witness and The Prince of Presence even in early“primitive” Merkabah or apocalyptic form. It looks asif the author of the text deliberately avoids these details. Heknows that it is not time for revealing these faces. Enoch mustreturn to the earth, and only after that trip he will fullyassume his heavenly offices. In 67.2, which serves as theconclusion to Enoch’s story, there is a statement about thetheme: “and the Lord received him and made him stand infront of his face for eternity.”[24] In this regard, the narratives of 2 Enoch and 3 Enoch seemto be written from different temporal perspectives. The settingof Enoch’s story in 2 Enoch is the antediluvianperiod. Melchizedek”s narrative of the book distinctivelystresses this point. This explains why in 2 Enoch“there is no place for Abraham, Moses, and the rest.”[25]
Summerland is one of our favorite new lesbian movies! This beautifully made cinematic lesbian movie tells an even more beautiful lesbian love story. Not all lesbian movies are of high quality, but this one definitely is.
Duck Butter is an intense lesbian movie which is about Nina and Sergio, who decide to spend 24 hours together after they just met. They skip the whole getting to know each other part and go straight for the real relationship phase.
The best part of the movie is the lesbian romance storyline between spy-in-training Amy Bradshaw, played by Sara Foster, and supervillain Lucy Diamond, played by the amazing Jordana Brewster (who you might know from the Fast & Furious sequels).
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